>NEWS FEBRUARY 2012

 

> News of films selected to FIDMARSEILLE
> Theatrical releases
> FIDMARSEILLE extra muros
> Diary
> VideoFID

       
  >Previous newsletters
  > geographical distribution of films screenings: February 2012
     
  > Theatrical releases
> FIDMARSEILLE extra muros
> Diary
> VideoFID
 

News of films selected to FIDMARSEILLE

       
 
  SPECTRES by Sven Augustijnen, Special Mention for the Grand prix of the International Competition, Public Libraries Prize, GNCR Prize, screened in its international premiere at FID 2011, is programmed at de Appel, in Amsterdam (Netherlands), from October 14, 2011 – February 12, 2012 octobre 2011
       
     L’HYPOTHÈSE DU MOKÉLÉ M’BEMBÉ by Marie Voignier, in French Competition, screened in its world premiere at FID 2011, has been selected for the International Film Festival of Rotterdam (Netherlands), from January 25, 2012 – February 5, 2012. The film is also programmed in the series Hors Pistes, at the Centre Pompidou, in Paris, from January 27 – February 12, 2012 and in the Festival international du film d'environnement de Paris, from February 7 – 14, 2012.



       
     LA MALADIE BLANCHE by Christelle Lheureux, in French Competition, screened in its world premiere at FID 2011, has been selected at the International Film Festival of Rotterdam (Netherlands), from January 25, 2012 – February 5, 2012. The film is also programmed in the series Hors Pistes, at the Centre Pompidou, in Paris, from January 27 – February 12, 2012


       
     GANGSTER PROJECT by Teboho Edkins, in International Competition, screened in its world premiere at FID 2011, has been selected at the International Film Festival of Rotterdam (Netherlands), from January 25, 2012 – February 5, 2012. The film is also programmed in the series Hors Pistes, at the Centre Pompidou, in Paris, from January 27 – February 12, 2012
       
     CORTA by Felipe Guerrero, selected as a film project in development at the FIDLab 2009
IL SE PEUT QUE LA BEAUTÉ AIT RENFORCÉ NOTRE RÉSOLUTION - MASAO ADACHI
by Philippe Grandrieux, in International Competition, screened in its world premiere at FID 2011,
JE SUIS CELLE QUI PORTE LES FLEURS VERS SA TOMBE
by Hala Alabdalla and Ammar Albeik, presented at FID 2007 in the Parallel Screen “Film, she says ”
KASPAR FILM
by Florence Pezon, presented in its world premiere in the Parallel Screen “Suffering and Cruelty” at FID 2011,
L’ANABASE DE MAY ET FUSAKO SHIGENOBU, MASAO ADACHI ET 27 ANNÉES SANS IMAGES
by Eric Baudelaire, in French Competition, screened in its world premiere at FID 2011,
LES TROIS DISPARITIONS DE SOAD HOSNI
by Rania Stephan, in International Competition, Winner of the Renaud Victor Prize, screened in its world premiere at FID 2011,
PAR EXEMPLE, ELECTRE
by Jeanne Balibar and Pierre Léon, produced by Pierre Grise Productions, selected as a film project in development and winner of the Sublimage Prize at FIDLab 2011,
THICKER THAN PAINT THINNER
by Babak Afrassiabi, in International Competition, screened in its world premiere at FID 2011
Have been selected at the Festival International du Film de Rotterdam International Film Festival of Rotterdam (Netherlands), from January 25, 2012 – February 5, 2012.
       
 
  SLEEPLESS NIGHTS STORIESby Jonas Mekas, presented in the Parallel Screen "Portraits croisés" [Intersecting Portraits] at FID 2011, has been programmed in the Göteborg International Film Festival (Sweden), from January 27 – February 6, 2012.
       
   

HOW I FILMED THE WAR by Yuval Sagiv, presented in its international premiere in the Parallel Screen “Suffering and Cruelty” at FID 2011,
LA NUIT ELLES DANSENT
by Isabelle Lavigne and Stéphane Thibault, presented in the Parallel Screen “Under Construction” at FID 2011,
TSE (OUT)
by Roee Rosen, presented in its French premiere in the Parallel Screen “Suffering and Cruelty” at FID 2011,
have been programmed at DocsBarcelona (Spain), from January 31 - February 5, 2012.

HOW I FILMED THE WAR by Yuval Sagiv, has been awarded by the "New Talent" prize. LA NUIT ELLES DANSENT by Isabelle Lavigne and Stéphane Thibault, has been awarded by the Grand Prix DocsBarcelona.

       
     RADIO LA COLIFATA by Chloé Ouvrard and Pierre Barougier, selected in the French Competition at FID 2002, was screened at the La Colifata support evening, organized by Al cine, at the Academia del tango, in Marseille, February 1, 2012 at 7 p.m.
       
      IL SE PEUT QUE LA BEAUTÉ AIT RENFORCÉ NOTRE RÉSOLUTION - MASAO ADACHI by Philippe Grandrieux, in International Competition, screened in its world premiere at FID 2011,
MATERIAL by Thomas Heise, Grand Prix of the International Competition, screened in its French premiere at FID 2009,
Are programmed in Révolutions - “Est-ce ainsi...” 12es journées cinématographique dionysiennes, at the Écran cinema of Saint-Denis, from February 1 - 7, 2012.
       
     ENTRÉE DU PERSONNEL by Manuela Fresil, Grand Prix of the French Competition, screened in its world premiere at FID 2011, is programmed at the Festival Filmer le travail, in Poitiers, from February 3 - 12, 2012 and in the Rencontres Cinéma de Manosque : Du Réel à l'Imaginaire, from February 7 - 12, 2012


    
   LA BM DU SEIGNEUR by Jean-Charles Hue, in French Competition, screened in its world premiere at FID 2010,
MANIQUERVILLE by Pierre Creton, in International Competition, winner of the Marseille Espérance prize, screened in its world premiere at FID 2011,
OÙ GIT VOTRE SOURIRE ENFOUI? by Pedro Costa, presented in the Parallel Screen “Retrospective Pedro Costa” at FID 2007
SIBÉRIE by Joana Preiss, , in International Competition, screened in its world premiere at FID 2011,
THE CAT, THE REVEREND AND THE SLAVE by Alain della Negra and Kaori Kinoshita, winner of Georges de Beauregard National and GNCR prizes, , in French Competition, screened in its world premiere at FID 2009,
Are projected at L'Institut de Tokyo (Japan), as part of a Carte blanche to Capricci Radical : le cinéma critique aujourd’hui, from February 3 - 26, 2012.
       
     HE FENGMING, CHRONIQUE D’UNE FEMME CHINOISE by Wang Bing, winner of the Georges de Beauregard International Prize at FID 2007,
NOS LIEUX INTERDITS
by Leila Kilani, in International Competition, screened in its world premiere at FID 2008,
Are programmed at the Rencontres Cinéma de Manosque : Du Réel à l'Imaginaire, from February 7 – 12, 2012.
       
    

THE COLOR OF PAIN by Lee Kang-Hyun, in International Competition, screened in its international premiere at FID 2011, has been selected in the Festival international du film d'environnement de Paris, from February 7 – 14, 2012.

       
     DISSONANT by Manon de Boer, presented in French premiere in the Parallel Screen “Words and Music” at FID 2010,
LE TEMPS QUI RESTE (ETUDES MUSICALES)
by Manon de Boer, in International Competition, screened in its world premiere at FID 2008,
PRESTO - PERFECT SOUND
by Manon de Boer, presented at FID 2007 in the Parallel Screen “Presto!”
THINK ABOUT WOOD, THINK ABOUT METAL
by Manon De Boer, presented in the Parallel Screen "Secret Conversations" at FID 2011,
Are programmed in the film series, Musique[s], on tourne! #3, organized by the association Peuple et Culture at the Cité de la musique de Marseille, on February 9, 2012 at 7 p.m.
       
      SEPTEMBER 12 (DE) by Özlem Sulak, programmed in the exhibitions Faces & Walls at FID 2011, will be screened on March 1, 2012 at 7 p.m. A first screening of his works is scheduled for February 23, 2012 at 7 p.m. at la compagnie, in Marseille.
       
    AQUEL CUYO ROSTRO NO IRRADIE LUZ by Andrea Bussmann, in International Competition, screened in its world premiere at FID 2011,
IL SE PEUT QUE LA BEAUTÉ AIT RENFORCÉ NOTRE RÉSOLUTION - MASAO ADACHI by Philippe Grandrieux, in International Competition, screened in its world premiere at FID 2011,
L’ANABASE DE MAY ET FUSAKO SHIGENOBU, MASAO ADACHI ET 27 ANNÉES SANS IMAGES by Eric Baudelaire, in French Competition, screened in its world premiere at FID 2011,
PRESTO - PERFECT SOUND by Manon de Boer, presented at FID 2007 in the Parallel Screen “Presto!”
QU’ILS REPOSENT EN RÉVOLTE (DES FIGURES DE GUERRES) by Sylvain George, in International Competition, screened in its world premiere at FID 2010,
SLEEPLESS NIGHTS STORIES by Jonas Mekas, presented in the Parallel Screen "Portraits croisés" at FID 2011,
VIKINGLAND by Xurxo Chirro, in International Competition, screened in its world premiere at FID 2011,
WALK AWAY RENÉE by Jonathan Caouette, presented during the Closing ceremony at FID 2011,
YATASTO by Hermes Paralluelo, Special mention to the Grand prix of the International Competition, Special mention to the Prix Premier, screened in its international premiere at FID 2011,
are programmed at the FICUNAM festival, in Mexico City (Mexico), from February 23 - March 1,2012.
    
      Le fonds CNC - Images de la culture is a catalogue of documentary films. It is intended for cultural organizations, social as well as educational, including diverse structures as exhibition grounds, schools, public libraries, museums, training centers, art schools, and festivals: all those who undertake a cultural activity in direct contact with the public.

We are pleased to announce the acquisition by this fund of films that have been programmed at the FIDMarseille:

AU LOIN DES VILLAGES by Olivier Zuchuat, in International Competition, winner of the Médiathèques prize, screened in its world premiere at FID 2008,
CHECK CHECK POTO by Julia Varga, in French Competition, screened in its world premiere at FID 2010,
LA FORÊT DES SONGES by Antoine Barraud, in French Competition, screened in its world premiere at FID 2010,
NOS LIEUX INTERDITS by Leila Kilani, in International Competition, screened in its world premiere at FID 2008,
THE BALLAD OF GENESIS ET LADY JAYE by Marie Losier, presented in the Parallel Screen "Portraits croisés" at FID 2011,
     
  > News of selected films
> FIDMARSEILLE extra muros
> Diary
> VideoFID
 

Theatrical releases

       
     HONK ! by Arnaud Gaillard and Florent Vassault, presented in its world premiere in the Parallel Screen “Suffering and Cruelty” at FID 2011, released in theatres on November 9, 2011.
Distribution: SHELLAC
       
    NOCES EPHÉMÈRES by Reza Serkanian, shown in a special ACID screening at FID 2011, was released on November 9, 2011.
Distribution : JUPITER COMMUNICATIONS SA
       
     QU’ILS REPOSENT EN RÉVOLTE (DES FIGURES DE GUERRES) by Sylvain George, in International Competition, screened in its world premiere at FID 2010, was released in theatres on November 16, 2011.
Distribution : Independencia Distribution
       
       
 
     
  > News of selected films
> Theatrical releases
> Diary
> VideoFID

 

FIDMARSEILLE extra muros

       
    Vidéo Les Beaux Jours, in Strasbourg, programs from February 16 - 18, 2012 a selection of six films presented at FID 2011. Films are projected with Jean-Pierre Rehm, Arnaud des Pallières, Elsa Quinette, Sven Augustijnen (sous réserve) present. Jean-Luc Nancy will be exceptionally present at the February 16 screening.

February 16 at 8:00 pm
POUSSIÈRES D’AMÉRIQUE by Arnaud des Pallières, in International Competition, screened in its world premiere at FID 2011,

February 17 at 8:00 pm
LA VIE EST AILLEURS by Elsa Quinette, winner of the Georges de Beauregard National prize, screened in its world premiere at FID 2011,
ROAD MOVIE by Christophe Bisson, in French Competition, screened in its world premiere at FID 2011,

February 18 at 4:30 pm
L’HYPOTHÈSE DU MOKÉLÉ M’BEMBÉ by Marie Voignier, in French Competition, screened in its world premiere at FID 2011,
THE UNSTABLE OBJECT by Daniel Eisenberg, winner of the Georges de Beauregard International prize, screened in its world premiere at FID 2011,

February 18 at 8:00 p
SPECTRES by Sven Augustijnen, Special Mention for the Grand prix of the International Competition, Winner of the Public, Libraries Prize and the GNCR Prize, and screened in its international premiere at FID 2011,
    
     QU’ILS REPOSENT EN RÉVOLTE (DES FIGURES DE GUERRES) by Sylvain George, in International Competition, screened in its world premiere at FID 2010, is programmed at the Alhambra, in Marseille, February 18, 2012 at 2:30 p.m. with the director present.
     
  > News of selected films
> Theatrical releases
> FIDMARSEILLE extra muros
> VideoFID
 

Diary

       
   FIDMarseille 23rd edition will be held from July 4 - 9, 2012.
    
   Registration for the Official Selection for the upcoming 23rd FIDMarseille is open until March 18, 2012.
Please consult our website and register your film online.
    
 

  Calls for projects for the upcoming FIDLab are open until February 17, 2012.
Please consult our website and
register your project online.
     
  > News of selected films
> Theatrical releases
> FIDMARSEILLE extra muros
> Diary

 

VidéoFID

       
 

  FIDMarseille is pleased to invite you to its next VideoFID evenings, which will be held Tuesday, February 7, 2012 at 8 p.m. on its premises. The evening will feature a screening of ENTRÉE DU PERSONNEL by Manuela Fresil, Grand Prix of the French Competition, screened in its world premiere at FID 2011.


Factories, workers: Outdated words. Obsolete realities? The gloomy dawns that open Manuela Frésil’s film and announce a new day, redoing the exact same pitiful gestures, ruthlessly confirm the contrary to the deliberately forgetful of the slaughter of beings. Bleak choreography of industrial slaughterhouses: cutting, emptying, loading, etc., an austere gymnastics in which disappears, a digit here, a muscle there, all their bodies and their night of impossible rest, haunted by nightmares. In echo, orderly and hurried procession of imposing remains, methodically disemboweled carcasses, labelled poultry, pink meat sliced to the millimeter. On the voiceover, follow quickly stories one-by-one but with multiple voices: the high turnover of the employees, productivity, bruises, pains and the accepted inevitability of few years to live in “retirement.” In the factory, the camera slides, embraces the movements and their production lines. In the factory, the camera becomes a terribly efficient, oiled machine. Outside the factory, it becomes almost stiff. What outside? So it starts all over again: one explains, one redoes, one pretends to mimic the tasks, on the beach, in an office, on a platform. From outside, none really, other than the timbre of their voices, their accents, their way of speaking that tries to adopt the speed of working. And yet something silently takes shape, and it is not only the sea at the end where closed oysters are caught.
Nicolas Feodoroff & Jean-Pierre Rehm
       

 

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