SACRO G.R.A.

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SACRO G.R.A.

 


Gianfranco Rosi

 

Director : Gianfranco Rosi

Countries : Italy, France

Genre : Documentary

Length : 90

Project state : Development

Budget : 764 825

Production companies : DocLab / La Femme Endormie
Producers : Marco Visalberghi / Carole Solive


Director’s filmography
EL SICARIO, ROOM 164 / 2010 / 80' (on Festivalscope)
BELOW SEA LEVEL / 2008 / 115'
AFTERWORDS / 2001 / 20'
BOATMAN / 1993 / 56'


Production filmography
DocLab
THE HIDDEN FACE OF VENICE CARNAVAL / Marco Visalberghi, Maurice Ribière / 2008 / 52’ - MICHELANGELO REVEALED / Fabrizio Ruggirello / 2008 / 52’ - DEATH AT DAYBREAK / Maria Magdalena Koller / 2008 / 52’ - UNCLE SEM AND THE BOSNIAN DREAM / Chiara Brambilla / 2008 / 52’ - THE ROSSELLI FILES / Stella Savino/ 2007 / 52’ - BORN TO FLY / Marco Visalberghi / 2007 / 80’, 52’, 70’ - EXPLOSIVE WAR / Marco Rosi/ 2006 / 52’ - ON ASSIGNMENT FOR MUSSOLINI / Vania Del Borgo / 2006 / 52’ - ADDICTED TO FLIGHT / Andrea Brambilla / 2006 / 52’ - THE LOST SHIP OF VENICE / Marco Visalberghi, Maurice Ribière / 2006 / 52’ - VENICE : A SINKING CITY / Gianfranco Pannone, Marco Visalberghi / 2002 / 52’ - SUPERQUARK / Marco Visalberghi, Barbara Bernardini / 2006 / 11 x 8’ - EXCELLENT CADAVERS / Marco Turco / 2005 / 68’, 92’

La Femme Endormie
AGNUS DEI / Alejandra Sánchez / 2010 / 84’
ARTICLE 23 / Jean-Pierre Delépine / 2010 / 80’
LA VIDA LOCA / Cristian Poveda / 2009 / 90’
ROSARIO TIJERAS / Emilio Maille / 2004 / 112’


 
The   « Grande Raccordo Anulare » (GRA) surrounds Rome. This imposing ring road forms a car trench separating the city from its suburbs. An informal society has formed itself around the eight-lane freeway where a character gallery lives under the car flow. The filmmaker Gianfranco Rossi moved to the GRA for a year in order to film in close proximity those who live where cars rush at 120 kilometers per hour. He found two worlds which graze past one another without ever making contact. On one hand, the middle class which uses this route morning and evening to go to work in Rome; on the other hand a heterogeneous collection of people composed of a heir from the dolce vita, a plumber who built his home on a parking lot, an engineer, a Gypsy, an Ethiopian. Like Raymond Carver, Rossi plunges into this human maze that swarms around, under, over and near this terrifying freeway, which cuts as a stanley knife through the roman geography.

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